You may have
noticed a trend in my blog posts: Hyde, Hyde, and more Rah! Rah! Go Hyde! But
in continually attempting to break the bonds between him and Jekyll, by always
reading him as a separate, struggling, sovereign self perhaps I have been
carried away by, as Ashley Sarpong terms it in her Friday, October 18th blogpost, the "myth of the individual" (3rd paragraph). I’d like to bring Jekyll and Hyde back
together[1], not in opposition but in an exploration of how the two (and
possibly “others”) are irrevocably intertwined, specifically within a
psychological Latourian network. While I realize that applying a sociological
theory to psychology is a potentially problematic move to make, I’d like to see
if thinking of the psyche of Jekyll as a network clarifies Latour’s rather
murky concepts of “individuals,” “attributes” and “properties,” while also
dealing with and moving beyond the Sarpongian specter of “lack” in networks.
Jekyll & Hyde is a story that is obsessed with
the idea of splitting the identity. At first, this split is viewed as being
dual in nature:[2] “Man is not truly one, but truly
two” (Stevenson 79). We have Jekyll and we have Hyde—two identities, two bodies. But, in fact, the
separation isn't as clean as we, and definitely Jekyll, might like it to be.
It’s clear that when in the body of Jekyll, Hyde is always still there in his
mind, bubbling beneath the surface and fighting for ascendancy (88). Although
there is less textual evidence to prove the flip side, Jekyll also seems to be
present within the personality of Hyde. We know that they share a “memory in
common” (85) and that Hyde, oh so coincidentally, retains Jekyll’s handwriting
(89). Conscious supremacy determines
then, in Jekyll & Hyde, whose body is shown to the world and what actions
that body takes. But the conscious supremacy of one identity does not mean the
complete disappearance of the other. Though we have the bodies of Jekyll or
Hyde, psychologically, we actually always have either Jekyll/Hyde or Hyde/Jekyll.
Internally, they can never be fully split. To further complicate matters, Jekyll raises the
specter of more than two identities being possible. He states, “I say two,
because the state of my own knowledge does not pass beyond that point. Others
will follow, others will outstrip me on the same lines; and I hazard the guess
that man will ultimately be known for a mere polity of multifarious,
incongruous, and independent denizens” (79). Basically, if two, then why not three, or four, or so on and so forth. Thus, we actually have a psyche created of
Jekyll/Hyde/Others (or Hyde/Others/Jekyll, etc.) and Jekyll(Hyde/Others), in his depression-induced cynicism, mistakenly views these
identities as independent when in fact, his own experiment has proved that they
can never be so; they are forever internally networked together, regardless of
what exterior shape is displayed.
So, when Latour states, “a given individual will be defined by the list of other
individuals necessary for
its subsistence” I argue that it is possible to view “other individuals” as
interior as well as exterior. In so doing, Latour’s “attributes” and “properties”(5, 12) become, not isolated facets of an individual,
not finite objects, but individual themselves who have their own networks while
also contributing to larger networks of other individuals or societies—creating
networks within networks within networks, spheres within spheres. Yet, even with this proliferation of meaning
and connection, Sarpong raises the question of the data lack,
the empty space, than can exist between two networked characters or indviduals.[3] But, if we visualize networks as 3D objects
(especially according the pictures Latour gives us on pgs. 6 and 7), then the
empty spaces that interest Sarpong are on the surface of the network. I do not find this superficial “lack” to be a
cause of anxiety because, while there may be a lack of data, the “lack” doesn’t
signify that the connections aren’t there, it only signals that we don’t yet
have the technology to render them visible.[4] The “lack” I do find far more troubling is the
empty space that exists at the very center of any network.
Latour’s networks don’t appear to revolve around anything, they’re only
a series of constantly proliferating connections that we use to define
ourselves and create meaning in the world.
In this sense, they’re very Derridean. I’m not even the center of my own
network, because my network is composed of myriad other networks and “I” am
only a network within larger networks. Structures or networks have no center, which is why there is always room for another network, or another sphere
of meaning to be fitted inside or outside our
current sphere of meaning—excluding totalization in an infiniteness of play. I’d like to close by
grappling with my sense of unease in viewing meaning and the world this way. It
seems that in arguing for ever-expanding connections and play, all these scholars
have argued for is a new Heaven and Hell, a way of thinking about and encapsulating the beyond
beyond the beyond. This expansion, then, remains reductive in nature. Post-structuralists
haven’t expanded meaning; they’ve just reduced it to the infinite—a word that
perhaps we use too casually, a word whose meaning is always beyond us, always
unknowable, and always non-existent. Is saying a person, object, thing, idea, or word has infinite meaning the same as saying it has no meaning? I think it quite possibly is.
Citations:
Latour,
Bruno. “Networks, Societies, Spheres.” Keynote. INTERNATIONAL SEMINAR ON
NETWORK THEORY. 19th February 2010. Annenberg School for Communication and
Journalism, Los Angeles. 1-18
Saposnik, Irving S. "The
Anatomy of Dr. Jekyll and Mr. Hyde." Studies in English Literature
1500-1900 4th ed. 11
(1971): 715-31. JSTOR. Web
Sarpong, Ashley. "Slippery Semiotics: Identity, Network and Meaning. (For Obama-the Shutdown Warrior)". Friday, October 18th. Blogpost from ENL 200 Fall 2013. <http://enl200f2013.blogspot.com/2013/10/in-last-weeks-post-i-wasdetermined-to.html>
Stevenson, Robert Louis. The
Strange Case of Dr. Jekyll and Mr. Hyde. Ed. Martin A. Danahay. Peterborough, Ont.: Broadview, 2005. Print.
[1]
I’m influenced by Irving Saposnik here who argued that thinking about Hyde
without thinking about Jekyll is to never have the full story. As he states,
“Without a Jekyll, there could never have been a Hyde, and without Hyde, one
can never fully know Jekyll” (727).
[2] Jekyll
is constantly using a language of doubling when he describes himself and Hyde:
He describes his psyche as being “polar twins” that are constantly struggling
for a conscious supremacy (Stevenson 79). He talks about the “thorough and
primitive duality of man” (79). He gives us another image of a double when he
describes Hyde as being “knit to him closer than a wife” (91).
[3] Sarpong is specifically interested in the moments when characters
in Sir Gawain are found “’in lack’/deprived of the evidences ‘needed to read
their connections with each other’ (1st paragraph, comment)
[4] Latour
states that the trick of rendering the empty spaces on the surface of the
network as no longer empty “is in changing the density of connections until a
net ends up being indistinguishable from a cloth” (7)
4 comments:
Lee,
I'm really intrigued by what you're doing in your final paragraphs, examining the logical conclusions of infinite play. Heidegger says something similar about Nietzsche, that for all his will to power and rejection of metaphysics he was really just proposing a new system of metaphysics. And I think you're getting at something similar here-- perhaps (very broadly) poststructuralist thought hasn't removed the center of meaning, but replaced it to the surface--a surface metaphysics of sorts. Because, as you say, infinite meaning also practically means no meaning, and we have a need for some kind of meaning, however much we like the idea of infinite play. I wonder if this shift from the center--now empty--to the surface network also signals a shift from the ontologically fundamental to the practical--from "what is?" to "what works?"
I really like both your discussion of what "I" becomes in Latour's network theory and your suggestion of the interior location of these others we become networked to. I wonder what this question of interiority vs. exteriority and a human's network of "others" do for this specific novel. That is, (another plot question) what is it exactly that Jekyll and Hyde share, if it's not a body or a mind? Is it something that all humans in a network connection share?
Lee,
I find it interesting that you connect the psyche of Jekyll, which is disjointed and likely analogous to schizophrenia, dissociative identity disorder, or manic/depressive psychological disorders, to the idea of a Latourian network. In one moment, Jekyll's existence is undeniably murky; what are the properties of his individual being beyond those that Hyde's existence defines? I found myself also tracing a line of inquiry from your post beyond the psychological and into the recent research in somatic practice and dance therapy, investigating the mind/body binary that continues to fascinate philosophers and theorists. If Hyde only exists in the mind and can never possess Jekyll's body, since they are separate entities, then how does the embodiment of Jekyll change to match Hyde's? If a war wages for the supremacy of consciousness, then to what degree can you trace the effects of the subconscious? Is it also a network, then, or does it subsist individually, so that the mentality of Hyde and the "Other" is simply manifested by the mind to create a network within the conscious?
Lee,
Like Samantha, I too am drawn to your final paragraph, where you talk about your unease with network theory and its implications for meaning (or the lack thereof). In another paragraph, you write that "the 'lack' doesn't signify that the connections aren't there, it only signals that we don't yet have the technology to render them visible." I suppose this comes very close to my unease with Latour and Derrida (and also my fascination): what's the point?
That is, if we could fill in every gap in a network -- uncover every connection, no matter how mundane or tangential it seems to the structure we are discussing -- what have we created? Is it of value? Can we truly "fill in the gaps" once we lack contextual/cultural understanding specific to the time period in which a work was written (as Coleridge discusses)? Latour and Derrida my foundations in terms of what I thought literary criticism was trying to do. If we are not searching for meaning (as there is no meaning to be found), then can we really justify any reason for our inquiry?
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